I have taken influence from directors such as Nicholas Winding Refn, David Fincher, Alfred Hitchcock and Mary Harron as their respective works, Drive, Panic Room, North by Northwest and American Psycho have all influenced by creative inspiration in some definition.
Refn's perfectly quadratic framing in 'Drive' was a huge influence in how I chose to frame and shoot each scene in my title sequence to achieve my much desired 'aesthetic gratification'.
Fincher's use of tight, compacted shots created a claustrophobic atmosphere and again influenced my decisions regarding framing which are also respectively constricted in order to maintain a sense of captivity.
Hithcock's colour palette in some scenes of North by Northwest were a huge influence in regards to lighting and mise en scene of my scenes.
Harron's design of Bateman's apartment inspired the design of my character's habitus as the generic 'bachelor pad'. The props and iconography in my film were placed with American Psycho in mind.
Refn's perfectly quadratic framing in 'Drive' was a huge influence in how I chose to frame and shoot each scene in my title sequence to achieve my much desired 'aesthetic gratification'.
Fincher's use of tight, compacted shots created a claustrophobic atmosphere and again influenced my decisions regarding framing which are also respectively constricted in order to maintain a sense of captivity.
Hithcock's colour palette in some scenes of North by Northwest were a huge influence in regards to lighting and mise en scene of my scenes.
Harron's design of Bateman's apartment inspired the design of my character's habitus as the generic 'bachelor pad'. The props and iconography in my film were placed with American Psycho in mind.




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